Category: Film/Video

Highlights: Selections from the Senior Seminar in Visual Art ?>

Highlights: Selections from the Senior Seminar in Visual Art

Each fall, Fordham students working on their thesis projects in architecture, graphic design, film & video, painting & drawing, and photography come together for the Senior Seminar to share ideas, give feedback, and develop their unique vision. The semester culminates in the annual Highlights exhibition, featuring a selection of student works across all media.

This year, Amanda Asciutto contributes whimsical watercolor paintings that give traditional fairy tale narratives a feminist twist; Ashlinn Casey offers subtly moody oil paintings of interiors that are clearly lived in but devoid of inhabitants at the moment of depiction; Laura Foley presents a proposal for a sustainably built pavilion inspired by the waves of the Hudson and East River and the hills that once made up the island of Manhattan; and Alejandra Garcia puts forward brightly hued yet often ominous acrylic paintings depicting diosa, a skeletal protagonist who partially reflects Garcia’s experiences growing up as a Mexican American. Mary Hurstell’s quirky paintings of otherworldly bathroom scenes tread the line between the aversion to being seen and the desire to be known and understood; Bawila Idris’s lushly colored videos and photographic portraits navigate the prism of the body, beauty, femininity, race, and identity; and Lizzie McLaughlin’s mixed-medium abstract paintings vibrate with the energy of the psychedelic aesthetic that inspired them. Sophia Riley transforms street scenes from her native San Francisco in semi-abstract acrylic paintings in which bold planes of color teeter and collide; Justin Schwartz creates a tender portrait of his elderly grandmother by photographing the eerily empty suburban house she abruptly left after the pandemic struck; and Julia Taylor plumbs the mysteries of the nineteenth-century Spiritualism movement with multimedia collages and sculptures that suggest peculiar narratives with no clear answers.

These works offer a preview of the virtual solo student exhibitions that will be launched later this spring. To read more about the work, please visit the Fordham Art History Society’s Instagram page Art Ramblings, which is posting reviews by Lilianna Harris, Tess McNamara, Elise Beck, McKenna Meskan, Kassandra Ibrahim, Samantha White, Abigail McClain, Gillian Kwok, and Sarah Hujber.

Curated in collaboration with Casey Ruble, Associate Clinical Professor, Fordham University. For more information, email Professor Ruble.

Art Making in Hell’s Kitchen and Beyond ?>

Art Making in Hell’s Kitchen and Beyond

Art Making in Hell’s Kitchen and Beyond Link

Featuring:

Jazmin Ali
Caitlin Bury
Ally Cali
Ethan Coughlin
Valeria Deminova
Emma Giroir
Shannah Harris
Meah Nizan
Tori Pante
Leeza Richter
Evelina Tokareva

Organized by Professor Mark Street

Students were invited to respond to the neighborhoods around FCLC by taking photographs, shooting digital video, painting, and drawing, using posters and text, recording sound, making architectural sketches, or engaging in site-specific performances. Given the vagaries of the pandemic, some chose to focus on locales closer to where they live. Each student is working on both an artistic and a service project and presenting documentation of either or both.

Photo by Leeza Richter

Celluloid Series #1 ?>

Celluloid Series #1

Features 5 short films rented from the illustrious and irrepressible Filmmaker’s Coop. Remembrance of a Portrait Study is a haunting portrait of the filmmaker’s mother. The Floor of the World explores the ephemera of yesteryear and invites uncanny, dreamlike associations. Stranger Baby explores the word ‘alien’ with all its xenophobic baggage, and Harbour City takes us to the vibrant colorful world of Hong Kong streets. American Hunger travels from Philadelphia to the slave forts of Ghana to explore collective memory. Thanks to the Arts and Sciences Deans Faculty Challenge Grant.

Link to Screening
vimeo.com/showcase/celluloidseries
password: fmcoop

Join us for a Zoom discussion on Wednesday October 7 at 6 PM
Please email MStreet@fordham.edu or rossgmclaren@gmail.com for a Zoom invitation.

New Exhibition from Christie Neptune ?>

New Exhibition from Christie Neptune

Christie Neptune
Two Miles Deep In La La Land, 2007-2012
Single Channel 16mm Film Transfer to Video
TRT 1:28

Two Miles Deep in La La Land is an experimental short film produced by Christie Neptune as an undergraduate in Fordham’s University’s Department of Visual Arts (Lincoln Center). In 2012, The film was given a new context, including dates exploring Neptune’s family’s lineage and a quote by Alice Walker: “I want something else, a different system entirely. One not seen on this earth for thousands of years. If ever.”

Neptune has a B.A. in Visual Arts from Fordham University. Her films and photography have been included in shows at BASS Museum, Miami, FL (2019); The University of Massachusetts Boston (2018); Rubber Factory, New York, NY (2017); A.I.R. Gallery, Brooklyn NY (2016); and Rutgers University (2015). Her work has been featured in publications including Artforum, NY Times, Hyperallergic, and The Washington Post. Neptune has been awarded the Bronx Museum of the Arts: Artist in Marketplace (AIM), Smack Mellon Studio Residency, NYSCA/NYFA Fellowship in Interdisciplinary Arts, and Light Work Artist-in-Residence among others.

Online Press Links:
Webuygold: FIVE
The New York Times: 2 Art Gallery Shows to Explore From Home
The New York Times: Nine Black Artists and Cultural Leaders on Seeing and Being Seen
Whitewall: We Buy Gold’s “FIVE” Addresses the Function of Art in Crisis
4Columns: We Buy Gold: Black collectivity, onscreen: a pop-up gallery goes virtual

Fordham Student Film Festival 2020 ?>

Fordham Student Film Festival 2020

Student films made in Visual Arts classes Film Video I, Film Video II and Film Video Post Production. Some films deal with our current situation, others take us to imaginary worlds.

A JOURNAL OF THE PLAGUE YEAR: AN ARCHIVE OF COVID19 ?>

A JOURNAL OF THE PLAGUE YEAR: AN ARCHIVE OF COVID19

Call for Submissions
Journal of the Plague Year: An Archive of CoVid19

The Visual Arts Program has initiated a partnership between Fordham University and Arizona State University (as well as other schools across the country) to contribute to a remarkable public archive of materials related to how the CoVid19 pandemic is affecting our lives on a local level. You can submit images, text, videos, tweets, Facebook posts, Instagram or Snapchat memes, screenshots of the news, emails — anything that speaks to the moment. Here is a link to a fuller description of the project. Here is a link to the archive’s submissions page.

In the “Your name, as the contributor” field, add Fordham University after your name. This will allow us to search for your submission on the back end of the website and publish it more quickly. At some point in the not-too-distant future, there will be a Fordham Featured Collection that contains all Fordham submissions in one place.

In the “Description” field, add #FordhamUniversity.

Important: At the end of the form, check “Publish my contribution on the web.” If you don’t check this box, your submission will remain private and not appear on the website.

To see what other Fordham students have submitted so far, search “Fordham University” in the search bar at the top of the home page. Please contact Artist in Residence Casey Ruble at caseyruble@gmail.com if you have any questions or need help making your submission.