For the connoisseurs…
Straight from the Lipani Gallery: David Freund’s “Gas Stop” in The Washington Post
‘Where you go to fill up your tank and shut off your brain’: America as seen at the Pump. Read the article here.
Straight from the Lipani Gallery: David Freund’s “Gas Stop” in The Guardian
From 1978 to 1981, David Freund photographed petrol stations in more than 40 US states – adding up to an everyman portrait of America. Read The Guardian article here.
Book by Master Photography Printer Gifted to Fordham Libraries
Susan Kismaric, an adjunct professor of photography, spent 35 years as a curator of photography at the Museum of Modern Art before retiring in 2011. Students taking her courses, one on the history of photography and another on books of photography, have long been the beneficiaries from her strong connections in the photography world.
Now, the University is benefitting too; she recently helped procure a book of 200 photo-offset lithographs by master printer Richard Benson, a donation from Yale University that is one of a limited print run.
The weighty book was produced by the Gilman Paper Company under the direction of Howard Gilman, a descendent of the company’s founder and collector of rare photographs. Largely considered one of the world’s premier photography collections, the Gilman trove of 8,500 photographs was purchased by the Metropolitan Museum of Art in 2005.
The donated book serves as an album of the collection’s highlights, said Kismaric.
Kismaric’s professional relationship with Benson, the former dean of the Yale School of Art, facilitated the donation of the book by Yale to Fordham Libraries. He is largely considered one of the best printers in the world, said Kismaric.
The lithographs are particularly significant, she said, in that they match not just the tonality and tone of the original prints, but also their finish as well. In fact, the reproductions are so convincing that MoMA mounted an exhibition of the originals beside Benson’s prints in a 2008 exhibition titled The Printed Picture.
View video here.
Gas Stop featured in Fordham News
Reception & Artist Talk Tonight 3/22: David Freund: “Gas Stop” at Fordham’s Lipani Gallery
New Book: Documentary Photography: Italy 2013!
6 Caffe
By Rebecca Brown, Raymond Sung Ho Chang, Michelle Kalil, Christopher Nelson, Dorina Puchinskaya, Barbara Rusnack; Edited by Stephan Apicella-Hitchcock and Joseph Lawton
6 Caffe is the final culmination of the 2013 course Documentary Photography: Italy offered by Stephan Apicella-Hitchcock & Joseph Lawton through the Department of Theatre and Visual Arts at Fordham University.
The book is 90 pages, 10 x 8 inches (25 x 20 cm), with four-color printing and can be ordered in softcover, or hardback in a range of paper grades. Preview the entire book here.
The course description is as follows:
A sampling of photographs from participants in the Fordham University 2013 Documentary Photography: Italy program. Over the course of one month in Rome this intensive class introduced students to the basic and advanced techniques of image production with a major emphasis on generating documentary projects directly relating to the people, architecture, and culture of Italy.
The cosmopolitan city of Rome, rich with artistic history, served as the source for our photographic explorations, as well as the catalyst for discussions addressing the historical significance of the documentary impulse. Our studies and production brought us from exhibitions in progressive contemporary art galleries, to the ancient architecture of the Colosseum as we utilized the wealth of visual stimuli as a resource, as well as a backdrop against which to critically discuss the strategies that documentarians utilize in communicating their interests.
For further information please contact: Stephan Apicella-Hitchcock apicellahit@fordham.edu
The new Documentary Photography: Japan 2012–2013 book!
Documentary Photography: Japan 2012–2013
By Sam Anacker, Adam Hemmert, Hyun Woo Kim, Jaclyn Krakowski, Amanda Mainguy, Andrew Scherer. Edited by Stephan Apicella-Hitchcock
Documentary Photography: Japan 2012–2013 is the final culmination of the 2012–2013 course “Documentary Photography: Japan” offered by Stephan Apicella-Hitchcock through the Department of Theatre and Visual Arts at Fordham University.
The book is 138 pages, 10×8 inches (25×20 cm), with four-color printing and can be ordered in softcover, or hardback in a range of paper grades. Preview the entire book here.
The course description is as follows:
This intensive class is designed as a platform for intermediate and advanced level students to further develop their photographic production with an emphasis on generating documentary projects focusing on the people, culture, and architecture of Japan.
The megacity of Tokyo will serve as the starting point for our investigations, with image making itineraries that will take us from the cosmopolitan ward of Shinjuku, to the center of youth culture in Shibuya; and from the cutting edge fashion districts of Harajuku, to the temples and shrines of Asakusa. Concurrent with our photographic explorations we will examine contemporary exhibitions in venues such as the Tokyo Metropolitan Museum of Photography in Ebisu, as well as view the ancient collections housed in Japan’s oldest and largest museum, the Tokyo National Museum in Ueno.
Traveling by Shinkansen bullet train at 300 km/h (186 mph), we will make our way south to Kyoto, the nexus of traditional Japanese culture and history with approximately two thousand temples, shrines, and gardens that we can utilize as both the catalyst and stage for our photography. The extraordinary wealth of visual stimuli we will experience in Japan over ten days will certainly inspire, as well as function as the backdrop against which to critically discuss the strategies that photographers employ in communicating their interests.
For further information please contact: Stephan Apicella-Hitchcock apicellahit@fordham.edu
R (Documentary Photography: Italy 2012 Book Release)
R
By Tessa Abrahams, Corina Aparicio, Emily Atwood, Massiel Garcia, Cecilia Iliesiu, Jacklyn Krakowski, Donovan Longo, Joseph Mottola, Catherine Murphy, Michael, Raganella, Jacqueline Tozzi, Aubrey Vollrath, Jessica Wendroff, Xuan Zheng; Edited by Stephan Apicella-Hitchcock & Joseph Lawton
By Tessa Abrahams, Corina Aparicio, Emily Atwood, Massiel Garcia, Cecilia Iliesiu, Jacklyn Krakowski, Donovan Longo, Joseph Mottola, Catherine Murphy, Michael, Raganella, Jacqueline Tozzi, Aubrey Vollrath, Jessica Wendroff, Xuan Zheng; Edited by Stephan Apicella-Hitchcock & Joseph Lawton
R is the final culmination of the 2012 course “Documentary Photography: Italy” offered by Stephan Apicella-Hitchcock & Joseph Lawton through the Department of Theatre and Visual Arts at Fordham University.
The book is 174 pages, 10×8 inches (25×20 cm), with four-color printing and can be ordered in softcover, or hardback in a range of paper grades. Preview the entire book here.
The course description is as follows:
A sampling of photographs from participants in the Fordham University 2012 Documentary Photography: Italy program. Over the course of one month in Rome this intensive class introduced students to the basic and advanced techniques of image production with a major emphasis on generating documentary projects directly relating to the people, architecture, and culture of Italy.
The cosmopolitan city of Rome, rich with artistic history, served as the source for our photographic explorations, as well as the catalyst for discussions addressing the historical significance of the documentary impulse. Our studies and production brought us from exhibitions in progressive contemporary art galleries, to the ancient architecture of the Colosseum as we utilized the wealth of visual stimuli as a resource, as well as a backdrop against which to critically discuss the strategies that documentarians utilize in communicating their interests.
For further information please contact: Stephan Apicella-Hitchcock apicellahit@fordham.edu
六人のニューヨークの写真家が日本にいます
六人のニューヨークの写真家が日本にいます
Six New York Photographers in Japan
Kirstie Carrizales, Melanie Chamberlain, Diana Iacono, Katie Mavrovitis, Teresa Salinas, and Rebecca Zoltowski; Edited by Stephan Apicella-Hitchcock
Six New York Photographers in Japan
Kirstie Carrizales, Melanie Chamberlain, Diana Iacono, Katie Mavrovitis, Teresa Salinas, and Rebecca Zoltowski; Edited by Stephan Apicella-Hitchcock
六人のニューヨークの写真家が日本にいます (Six New York Photographers in Japan) is the final culmination of the course “Documentary Photography: Japan” offered by Stephan Apicella-Hitchcock through the Department of Theatre and Visual Arts at Fordham University.
The book is 202 pages, 10×8 inches (25×20 cm), with four-color printing and can be ordered in softcover, or hardback in a range of paper grades. Preview the entire book here.
The course description is as follows:
This intensive class is designed as a platform for intermediate and advanced level students to further develop their photographic production with an emphasis on generating documentary projects focusing on the people, culture, and architecture of Japan.
The megacity of Tokyo will serve as the starting point for our investigations, with image making itineraries that will take us from the cosmopolitan ward of Shinjuku, to the center of youth culture in Shibuya; and from the cutting edge fashion districts of Harajuku, to the temples and shrines of Asakusa. Concurrent with our photographic explorations we will examine contemporary exhibitions in venues such as the Tokyo Metropolitan Museum of Photography in Ebisu, as well as view the ancient collections housed in Japan’s oldest and largest museum, the Tokyo National Museum in Ueno.
Traveling by Shinkansen bullet train at 300 km/h (186 mph), we will make our way south to Kyoto, the nexus of traditional Japanese culture and history with approximately two thousand temples, shrines, and gardens that we can utilize as both the catalyst and stage for our photography. The extraordinary wealth of visual stimuli we will experience in Japan over ten days will certainly inspire, as well as function as the backdrop against which to critically discuss the strategies that photographers employ in communicating their interests.