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Pictures of Ghosts, by Kleber Mendonça Filho ?>

Pictures of Ghosts, by Kleber Mendonça Filho

Pictures of Ghosts, 2023, directed by Kleber Mendonça Filho

Tuesday, April 14, 6 pm, Lincoln Center, Visual Arts Complex, RM SL24L
Panelists: Associate Professor of French Audrey Evrard, Department Chair, Languages & Cultures, and Professor Carl Fischer, Professor of Spanish, Department of Languages & Cultures. Moderated by Professor Apicella-Hitchcock, Head of the Visual Arts Program. Open to all. There will be pizza and a raffle prize.

Pictures of Ghosts, from acclaimed Brazilian director Kleber Mendonça Filho, “Is a multidimensional journey across time, sound, architecture, and filmmaking that explores the rich, complicated history of the filmmaker’s home city of Recife—the coastal capital of the state of Pernambuco—through the great movie theaters that served as spaces of conviviality during the twentieth century. Paeans to dreams and progress, these temples of cinema have also come to reflect major shifts in Brazilian society and politics. Combining archival documentary, mystery, film clips, and personal memories, Pictures of Ghosts is a map of a city through the lens of cinema, offering a delightful tour…”

About season two:
This spring, Films Worth Talking About, Even If Difficult, expands its programming into a broader interpretive territory. “Difficult Films” is not limited to films that are emotionally challenging or politically provocative; it can also refer to films that are visually experimental, sonically demanding, historically complex, or with multi-threaded or temporally shifting narratives. Ultimately, the series is a cinematic pretext for hanging out, eating, and talking—a communal exercise where we discuss, discover, and sometimes disagree, which is all part of the experience.

The Office of the Arts & Sciences Dean invites you to step outside your regular streaming queue, experience something different, and join a community of curious film lovers throughout the year. Please bring your friends, an open mind, and have a question ready. Additionally, to sweeten the deal, we offer raffle items connected to the film. By participating, you could walk away with a special prize AND a different perspective.

Sound Stories ?>

Sound Stories

In VART 2222 Art of the Interview, students record interviews with community members who discuss the past, present and future of the Lincoln Square neighborhood, which was demolished in the 1950’s to build Lincoln Center for the Performing Arts, Fordham College at Lincoln Center, and other developments.

This Fall 2025 class was generously supported by funding and staff at Fordham’s Center for Community Engaged Learning

On Wednesday December 17th, the Fall 2025 class presented videos highlighting various stories at Good Shepherd Faith Presbyterian Church, where many interviewees are members:

This short film by Nora Kinney features interviews with Freddie Richardson, Humberto Pichardo, Jackie Brown Richardson and Tanisha Hill

Good Shepherd-Faith Presbyterian Church, by the way, is the last standing church to predate the Lincoln Center urban renewal project that demolished the rest of the neighborhood, and has a rich civil rights history.

Video by Ayden Suber, featuring a story told by Huberto Pichardo

Lauren Vaughn and Kylie O’Toole made this video from an interview with longtime Lincoln Square community member, Mr. Freddie Richardson

Phillip (Rohde) Costello created this piece from interviews with Freddie Richardson and Humberto Pichardo.

Here is Amanda video featuring stories told by Freddie Richardson and Tanisha L. Hill.

Sage Rochetti’s video features stories by Freddie Richardson and Tanisha L. Hill.

Cartographer’s Tunnel ?>

Cartographer’s Tunnel

Paintings by Mason Saltarreli

The Fordham University Galleries
Ildiko Butler Gallery
October 10 – November 19, 2025
Fordham University at Lincoln Center map
113 West 60th Street at Columbus Avenue
New York, NY 10023
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Cartographer’s Tunnel

Certain abstract paintings live as maps towards our interior labyrinth. Through their silent direction we might arrive into our deepest accommodations.

Not far from our front door on 60th Street towards the Hudson River was a hill which led to a tunnel. We would enter through a hole in the metal fence. Passing trains rolled by. People lived there. Each visit was mysterious.

On one occasion a man walking on the train tracks stopped and spoke with me as he was headed deeper into the tunnel. His eyes were experienced. The conversation was brief. I am grateful for his words.

Moments of surprise ferry oxygen to my internal incandescent candle. These paintings are some of its light.
— Mason Saltarrelli
 

Mason Saltarrelli navigates a bridge between beings and spirit by engaging with a succinct collection of discovered and abstracted characters and syllabaries. Painting and drawing intuitively—his expressiveness articulates continuing, woven motifs which invite unlimited exploration from the watcher. Saltarrelli’s jubilant work transforms human, animal and inanimate beings into buoyant embracing remembrances in an ever-evolving carousel of shape and color.

Mason Saltarrelli (b.1979, New Orleans, LA) graduated from Fordham College Lincoln
Center with a B.A. in Photojournalism in 2001. His work has been shown at Turn
Gallery, NYC, Timothy Hawkinson Gallery, Los Angeles, Ca, The Mass, Japan,
Meessen De Clercq, Belgium, Guild Hall, East Hampton, Ace Hotel, New Orleans,
Marvin Gardens, NYC, Galleri Jacob Bjorn, Denmark, Shrine Gallery, NYC, and Gallery
9, Australia among many others.

Ulrike Ottinger’s Shadows ?>

Ulrike Ottinger’s Shadows

screening + conversation

Thurs Oct. 2, 2025

7pm – 8:30pm (doors open 6:45), tickets here

Microscope Gallery | 525 W 29th St, 2nd Floor, New York, NY 10001

Chamisso´s Shadow, photo Ulrike Ottinger, 2014 © Ulrike Ottinger

Ulrike Ottinger is described by Richard Brody of the New Yorker as “One of the crucial modern filmmakers… For Ottinger, the play of imagination is an essential realm of freedom, a way for women to defy and liberate themselves from the misogyny that’s embedded as deeply in consensus styles as in consensus politics.” As part of her New York tour, Ulrike Ottinger will screen an hour-long excerpt of her 12-hour long film, Chamissos Schatten (Chamisso’s Shadow, 2016) and then take part in a short conversation with scholar Dr. Nora Alter, who has written extensively about Ottinger’s work. More event info here. 

Chamisso´s Shadow, photo Ulrike Ottinger, 2014 © Ulrike Ottinger

6:45 PM – Doors Open

7:00 PM – Film Screening: Excerpt of Chamisso’s Shadows

8:00 PM – Post-Film Conversation with Nora Alter

8:30 PM – Program Concludes

Trockenfisch, das Brot der Nordländer, 2014 © Ulrike Ottinger

Chamisso´s Shadow, photo Ulrike Ottinger, 2014 © Ulrike Ottinger

About the film:

Chamisso’s Shadow (Germany 2016, 720 min [excerpt is 53 min])

Adelbert von Chamisso accompanied the Romanzow research expedition on the Rurik from 1815 to 1818 as a botanist. Inspired by his descriptions as well as those of the other great explorers such as Forster and Anderson with Captain Cook, Steller with Bering and Humboldt I came up with the idea to create a cinematic evocation of these travel experiences, both past and present. I believe the past and the present of these journeys belong together and can’t be separated just like poor Schlemihl and his shadow in Chamisso’s ‚Wondrous Story’, where Schlemihl seeks to recover and reinstate his lost shadow as he travels through the world.

“But there on the sunny sands, a human shadow, not unlike my own, slid past, wandering alone and seemingly strayed from his Master. This sight awakened in me a powerful drive: shadow, thought I, are you looking for thy Master? Your Master I will be.” – From Schlemihl by Adelbert von Chamisso

Readings from the many, very vivid, observations from those early explorers will be combined with my visual materials. Together they contrast and complement and enter into a dialogue that tells of the loss of knowledge of ancient cultural techniques and about learning a new. The desperation and the disintegration will be manifest but maybe, in some cases, this will provide a sense of relief, for it may show that it is only through comparison with the past that progress and change can be made visible.

Learn more about Ulrike Ottinger and Nora Alter:

Ulrike Ottinger 

Nora Alter

This event is presented by Fordham University and Microscope Gallery as part of the Fordham course Intro to Art & Engagement: Protest, Participation, the Public, and Other Performance Practices, taught by Catalina Alvarez.

Admission is free for all Fordham students with ID.

The event is conceived and organized by Catalina Alvarez, with co-organization by Jennifer Moorman. Support comes from Fordham’s Center for Community Engaged Learning and the Departments of Theatre and Visual Arts, Communication and Media Studies, and Women’s, Gender, and Sexuality Studies. The film excerpt is courtesy of the Arsenal – Institute for Film & Video Art.

 B.O. / Jack Arthur Wood ?>

 B.O. / Jack Arthur Wood

RECEPTION SATURDAY, SEPTEMBER 20th 4-9pm

The Fordham University Galleries
Lipani Gallery
August 5 – October 31, 2025
Fordham University at Lincoln Center map
113 West 60th Street at Columbus Avenue
New York, NY 10023
fordhamuniversitygalleries

In a garden, I kick at a cobblestone path. I ignore the other children and move toward my favorite plant. My licking leaf tree. I pull one of the leaves away and raise it to my mouth like a question. I turn it over, feeling the hairy side with my thumb as I run my tongue over the back of the leaf until it is floppy and creased, relishing the magic of sensation, absorbing fascination through my mouth and fingertips. Having always explored my world sensorially, I build spaces of color, light and material through multilayered painted and collaged surfaces.

The nature of things is more or less based on a binary. In my work I explore the inseparable combination of anxiety and joy I feel while anticipating the nature of things oscillating between two points, visualizing a way that binary space can be punctured and trespassed. Paint becomes an object when I cut from the cloth or page allowing me to try endless placements. Working symmetrically means each mark becomes conversational, and the subject or figure can
rest behind the static. All of the swatches affixed to my paintings and installations bring the body and mind into question as structures of bondage. I imagine the compulsively wrapped and strapped edges of my paintings as corporeal and contemplative armatures that hold spectral displays inside, visions of transcendence, clarity through chroma.
JAW


Artist Bio

Born, 1990 in Cincinnati, Ohio, United States

Jack Arthur Wood Jr. is a visual artist, writer, curator and educator based in Ridgewood, Queens. Wood studied at Guilford College, in Greensboro, NC, receiving a BA in printmaking in 2012, and earned an MFA in printmaking from Texas A&M University — Corpus Christi in 2017. Wood received a New York Foundation for the Arts Fellowship in painting in 2024. He has been a resident at The Skowhegan School of Painting & Sculpture, The Wassaic Project, The Jentel Foundation, Little Bear Hill, and Tiger Lily Press. Wood has had solo / two-person presentations at Rachel Uffner Gallery, New York, NY; My Pet Ram, New York, NY; Conduit Gallery, Ridgewood, NY; His work has been exhibited at Chozick Family Gallery, New York, NY; Chart, New York, NY; Geary Contemporary, Millerton, NY; The Wassaic Project, Wassaic, NY; Soloway Gallery, Brooklyn, NY; 5-50 Gallery, Queens, NY; Field of Play Gallery, Brooklyn, NY; Ortega Y Gasset Projects, Brooklyn, NY; No Place Gallery, Columbus, OH; Heaven Gallery, Chicago,IL. He currently teaches at Montclair State University, in New Jersey.