Category: Film/Video

Adjunct Faculty Spotlight Part One ?>

Adjunct Faculty Spotlight Part One

The Fordham University Galleries
Fordham University at Lincoln Center map
113 West 60th Street at Columbus Avenue
New York, NY 10023
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The Department of Visual Arts at Fordham University is pleased to present the 2021 Adjunct Faculty Spotlight exhibition in the Ildiko Butler Gallery. We are fortunate to have so many exceptionally talented Adjunct Professors teaching in our department, in fact, so many that we have had to divide this exhibition into two parts.

The first installment, Adjunct Faculty Spotlight Part One, will include a sampling of work from the following artists: Zeljka BlaksicDoug ClouseAmie CunatPatrice HelmarMatthew López-JensenAnibal J. Pella-WooKimberly Reinhardt, and Lesley Wamsley. This group of artists represents the breadth of disciplines offered in the Visual Arts Department, including film, graphic design, painting, and photography. Despite the differences in their mediums, approaches, and subjects, their works generate a lively dialogue.

New Generation, by Zeljka Blaksic, is a short animated video that relies on photographs found in START magazine, one of the most popular newspapers in the seventies and eighties throughout the territory of former Yugoslavia. Her piece utilizes the archive as source material and provides a critical analysis of sexual discourse in the cultural and political context of socialism.

Doug Clouse prints and paints over commercially printed ephemera, coaxing out new possibilities by altering existing images and text. He is a graphic designer in New York City.

Influenced by depictions of nature from Shaker gift drawings, Art Deco, science fiction, and horror movies, Amie Cunat’swork is loud and flamboyant at first read; however, upon closer inspection, her paintings offer subtle play between the horrific and goofy, the earthy and transcendent, the familiar and alien.

Patrice Helmar’s Down By Law is a series of photographs examining the American dream’s dark mythology and the timeless story of returning home. The history of photography is rife with work made by visitors that often have little connection to people and places they depict. In Down By Law, the artist is not attempting to document or sensationalize working-class and queer life; instead, she records what she would like to exist about her communities in contemporary culture.

Matthew López-Jensen is a Bronx-based environmental artist, photographer, educator, Citizen Pruner, and community gardener. His projects combine walking, collecting, mapping, and extensive research. He is particularly interested in the relationships between people and local landscapes. Featured in the Lincoln Center’s Ildiko Butler Gallery is a recent walking-based artist project exploring Green-Wood Cemetery in Brooklyn. The map, completely redesigned by the artist, centers an experience in the landscape around beech trees struggling to survive. The adjacent photographs are some of the trees featured on the map.

Selling Bananas In Ascending Order Of Ripeness is a project by Anibal J. Pella-Woo made up of 90 double-sided photographic prints. Each of the photographs was taken from the front seat of his car while parked at various locations. The texts accompanying the photographs are from overheard talk shows broadcasting on the car radio from when the photographs were made.

The structure for Crystal Gazing AmplifiersKimberly Reinhardt’s installation of ten naturally dyed, silkscreened bandannas is inspired by twill weaving patterns and Ellsworth Kelly’s Sculpture for a Large Wall. Relying on the exponential effects of repetition and variation, Reinhardt plays with the transmutation from vernacular utilitarian object to a contemplative device meant to harness and focus the tension that arises between the two.

Lesley Wamsley is a plein air artist living and working in Brooklyn, NY, with a deep commitment to drawing from life. The relationship between observation and documentation is the foundation of her practice, and her work aims to communicate the personal and historical consciousness of place and time. For Wamsley, context is an essential question—how does it feel to experience a place, and how does the broader context shape that experience?


Organized by Stephan Apicella-Hitchcock.
For the Visual Arts Department Website: click here.

New book: 2021 Senior Thesis Exhibitions ?>

New book: 2021 Senior Thesis Exhibitions

Hot off the press—the 2021 Senior Thesis Exhibitions book by Amanda Asciutto, Catherine Cain, Ashlinn Casey, Laura Foley, Alejandra Garcia, Mack Hurstell, Bawila Idris, Jesse McBrearty, Elizabeth McLaughlin, Vittoria Orlando, Sofia Riley, Justin Schwartz, and Julia Taylor is now available. Edited by Stephan Apicella-Hitchcock with a fantastic cover design by Natalie Norman-Kehe. 142 pages of amazing work by our graduating artists!

2021 Senior Thesis Exhibitions: Small Square, 7×7 in, 18×18 cm, 142 pages is available to preview and purchase here.

Highlights: Selections from the Senior Seminar in Visual Art ?>

Highlights: Selections from the Senior Seminar in Visual Art

Each fall, Fordham students working on their thesis projects in architecture, graphic design, film & video, painting & drawing, and photography come together for the Senior Seminar to share ideas, give feedback, and develop their unique vision. The semester culminates in the annual Highlights exhibition, featuring a selection of student works across all media.

This year, Amanda Asciutto contributes whimsical watercolor paintings that give traditional fairy tale narratives a feminist twist; Ashlinn Casey offers subtly moody oil paintings of interiors that are clearly lived in but devoid of inhabitants at the moment of depiction; Laura Foley presents a proposal for a sustainably built pavilion inspired by the waves of the Hudson and East River and the hills that once made up the island of Manhattan; and Alejandra Garcia puts forward brightly hued yet often ominous acrylic paintings depicting diosa, a skeletal protagonist who partially reflects Garcia’s experiences growing up as a Mexican American. Mary Hurstell’s quirky paintings of otherworldly bathroom scenes tread the line between the aversion to being seen and the desire to be known and understood; Bawila Idris’s lushly colored videos and photographic portraits navigate the prism of the body, beauty, femininity, race, and identity; and Lizzie McLaughlin’s mixed-medium abstract paintings vibrate with the energy of the psychedelic aesthetic that inspired them. Sophia Riley transforms street scenes from her native San Francisco in semi-abstract acrylic paintings in which bold planes of color teeter and collide; Justin Schwartz creates a tender portrait of his elderly grandmother by photographing the eerily empty suburban house she abruptly left after the pandemic struck; and Julia Taylor plumbs the mysteries of the nineteenth-century Spiritualism movement with multimedia collages and sculptures that suggest peculiar narratives with no clear answers.

These works offer a preview of the virtual solo student exhibitions that will be launched later this spring. To read more about the work, please visit the Fordham Art History Society’s Instagram page Art Ramblings, which is posting reviews by Lilianna Harris, Tess McNamara, Elise Beck, McKenna Meskan, Kassandra Ibrahim, Samantha White, Abigail McClain, Gillian Kwok, and Sarah Hujber.

Curated in collaboration with Casey Ruble, Associate Clinical Professor, Fordham University. For more information, email Professor Ruble.

Art Making in Hell’s Kitchen and Beyond ?>

Art Making in Hell’s Kitchen and Beyond

Art Making in Hell’s Kitchen and Beyond Link

Featuring:

Jazmin Ali
Caitlin Bury
Ally Cali
Ethan Coughlin
Valeria Deminova
Emma Giroir
Shannah Harris
Meah Nizan
Tori Pante
Leeza Richter
Evelina Tokareva

Organized by Professor Mark Street

Students were invited to respond to the neighborhoods around FCLC by taking photographs, shooting digital video, painting, and drawing, using posters and text, recording sound, making architectural sketches, or engaging in site-specific performances. Given the vagaries of the pandemic, some chose to focus on locales closer to where they live. Each student is working on both an artistic and a service project and presenting documentation of either or both.

Photo by Leeza Richter

Celluloid Series #1 ?>

Celluloid Series #1

Features 5 short films rented from the illustrious and irrepressible Filmmaker’s Coop. Remembrance of a Portrait Study is a haunting portrait of the filmmaker’s mother. The Floor of the World explores the ephemera of yesteryear and invites uncanny, dreamlike associations. Stranger Baby explores the word ‘alien’ with all its xenophobic baggage, and Harbour City takes us to the vibrant colorful world of Hong Kong streets. American Hunger travels from Philadelphia to the slave forts of Ghana to explore collective memory. Thanks to the Arts and Sciences Deans Faculty Challenge Grant.

Link to Screening
vimeo.com/showcase/celluloidseries
password: fmcoop

Join us for a Zoom discussion on Wednesday October 7 at 6 PM
Please email MStreet@fordham.edu or rossgmclaren@gmail.com for a Zoom invitation.

New Exhibition from Christie Neptune ?>

New Exhibition from Christie Neptune

Christie Neptune
Two Miles Deep In La La Land, 2007-2012
Single Channel 16mm Film Transfer to Video
TRT 1:28

Two Miles Deep in La La Land is an experimental short film produced by Christie Neptune as an undergraduate in Fordham’s University’s Department of Visual Arts (Lincoln Center). In 2012, The film was given a new context, including dates exploring Neptune’s family’s lineage and a quote by Alice Walker: “I want something else, a different system entirely. One not seen on this earth for thousands of years. If ever.”

Neptune has a B.A. in Visual Arts from Fordham University. Her films and photography have been included in shows at BASS Museum, Miami, FL (2019); The University of Massachusetts Boston (2018); Rubber Factory, New York, NY (2017); A.I.R. Gallery, Brooklyn NY (2016); and Rutgers University (2015). Her work has been featured in publications including Artforum, NY Times, Hyperallergic, and The Washington Post. Neptune has been awarded the Bronx Museum of the Arts: Artist in Marketplace (AIM), Smack Mellon Studio Residency, NYSCA/NYFA Fellowship in Interdisciplinary Arts, and Light Work Artist-in-Residence among others.

Online Press Links:
Webuygold: FIVE
The New York Times: 2 Art Gallery Shows to Explore From Home
The New York Times: Nine Black Artists and Cultural Leaders on Seeing and Being Seen
Whitewall: We Buy Gold’s “FIVE” Addresses the Function of Art in Crisis
4Columns: We Buy Gold: Black collectivity, onscreen: a pop-up gallery goes virtual

Fordham Student Film Festival 2020 ?>

Fordham Student Film Festival 2020

Student films made in Visual Arts classes Film Video I, Film Video II and Film Video Post Production. Some films deal with our current situation, others take us to imaginary worlds.