2015 Senior Exhibition Schedule (design by Margaret McCauley)
(design by Margaret McCauley)
Artist Talk with Alan and Michael Fleming
Fordham University, Department of Theatre and Visual Arts is pleased to present an Artist Talk with Alan and Michael Fleming.
Alan and Michael Fleming are identical twin brothers who have been working together since 2005 creating collaborative performance, sculpture, and video work. Recent solo exhibitions include “Studio Audience” at Cindy Rucker gallery (NY) and “GAME ON” presented at threewalls (Chicago) and the Active Space (NY). Recent residencies include the AIM Program (Artist in the Marketplace) at the Bronx Museum of the Arts, the International Artist Residency at the NARS Foundation (New York Art Residency & Studios), and the ACRE Residency (Artists’ Cooperative Residency and Exhibitions). The Flemings have performed at the New Museum in New York, the Bronx Museum of the Arts, the Museum of Contemporary Art Chicago, the Chicago Cultural Center, the Centre for Contemporary Arts in Glasgow, and the Factory for Art and Design in Copenhagen. In 2008 their video series “At Rest: The Body in Architecture” won the “Performing” section at the Kinolewchyk Festival at the Idea Museum in Lviv, Ukraine. In 2006 they were awarded the “Group 4 Award” from the Foundry Art Centre for their video “Defining the Frame”.
The Fleming brothers received their MFA in Studio (2010) from the Performance Department at The School of the Art Institute of Chicago where they attended graduate school as a collaborative. They both received a Bachelor of Fine Arts degree (2007) in Painting from The University of Illinois at Urbana-Champaign. Michael and Alan were awarded Trustee Merit Scholarships from The School of the Art Institute of Chicago and share the award of “Most Outstanding Senior” in the painting department from The University of Illinois at Urbana-Champaign. In 2009 Alan received the Professional Advancement Award in Dance from the School at Jacob’s Pillow and Michael received the Jacob K. Javits Fellowship from the U.S. Department of Education. Alan and Michael Fleming currently live in Brooklyn, NY.
The Artist Talk series is curated by Amie Cunat, Adjunct Faculty in Painting & Drawing.
Case Study: Tokyo: 2015
Take one part working methodology from the famous 1972 book, Learning from Las Vegas: The Forgotten Symbolism of Architectural Form, combine with the megacity of Tokyo, add ten Fordham University Gabelli students, stir for nine days in Japan and what do you get? You get direct acquisition of knowledge through experience with a small team, realized in an online, as well as hardback research volume focusing on branding, sensory marketing, architecture, design, photography, and urban planning. Case Study: Tokyo: 2015!
Click HERE for book.
Faculty Spotlight 2015
Faculty Spotlight 2015
The Ildiko Butler Gallery
Fordham University at Lincoln Center MAP
113 West 60th Street at Columbus Avenue
New York, NY 10023
ildikobutlergallery.com
Featuring works by:
Stephan Apicella-Hitchcock
Richard Kalina
Anibal Pella-Woo
The current display of works in Fordham University’s Ildiko Butler Gallery is the 2015 installment of the annual Faculty Spotlight Exhibition. Each year in the fall three members from the Department of Theater and Visual Art are asked to share a sampling of their production with the Fordham community. Richard Kalina represents painting this year and photography is represented by both Stephan Apicella-Hitchcock and Anibal Pella-Woo. Despite the differences in their mediums and approaches, their works generate a lively dialogue regarding content and representational methods.
Dates: February 3, 2015 – March 10, 2015
Reception: Tuesday, February 3, 2015, 6 – 8 p.m.
WEB:
For more information please contact: apicellahit@fordham.edu
Screening: Katsuhiro Otomo’s “Akira”
Please join the Fordham University Friends of Films for Photographers and students from the course Documentary Photography: Japan 2014-2015 for a screening of Katsuhiro Otomo’s1988 landmark film, Akira (in BluRay).
Tuesday, December 9, 2014, 6PM
Fordham University Friends of Films for Photographers
113 West 60th Street
Visual Arts Complex
SL24L: Screening Room
It’s an oldie, but certainly a goodie, in fact, the grandfather of contemporary anime. The influence of this movie can not be overstated.
One of the best-known examples of contemporary Japanese animation, this cyberpunk adventure takes place in the post-apocalyptic city of Neo-Tokyo. A teen-age boy is exposed to a mysterious energy source and develops telekinetic powers that place him at the center of a conflict that may destroy the world. – Rotten Tomatoes
Read from The Guardian:
Akira: the future-Tokyo story that brought anime west
Dystopian Tokyo 2019 has never looked better. Food and friends are both welcome.
For more information please contact Stephan Apicella-Hitchcock: apicellahit@fordham.edu
Fordham’s “Gary Metz: Quaking Aspen: A Lyric Complaint” at RISD
Living Los Sures: Selections
LIVING LOS SURES: SELECTIONS
Curator: UnionDocs
Exhibition dates: July 25 – October 25, 2014
The Ildiko Butler Gallery
Fordham University at Lincoln Center MAP
113 West 60th Street at Columbus Avenue
New York, NY 10023
The six works in this show are part of the larger project Living Los Sures, a collaborative documentary about the Southside of Williamsburg, Brooklyn, produced by UnionDocs Center for Documentary Art.
From 2010 through 2014, UnionDocs is producing a collaborative web documentary about the Southside neighborhood in Williamsburg, Brooklyn where the organization has been situated for nearly a decade. Part omnibus film, part media archeology, part deep-map and city symphony, the project uses Los Sures, a brilliant work of cinema verite directed by Diego Echeverría in 1984, as a starting point for the investigations of more than forty artists over the course of four years. Collectively, their projects tell the story of a longstanding Latino community that is defeating displacement and surviving the growth machine. Living Los Sures is a multi-part project that restores a lost film, remixes local histories, reinvestigates Williamsburg’s Southside today, and hopes to reunite a neighborhood around a sustainable future.
In the late seventies and early eighties, the Southside of Williamsburg was one of the poorest neighborhoods in New York City. In fact, it had been called the worst ghetto in America. Los Sures, a documentary from 1984 by Diego Echeverría, skillfully represents the challenges of this time; drugs, gang violence, crime, abandoned real estate, racial tension, single parent homes, and inadequate local resources. Yet, Echeverría’s portrait also celebrates the vitality of this largely Puerto Rican community, showing the strength of their culture, their creativity and their determination to overcome a desperate situation.
UnionDocs has partnered with Echeverría to develop Living Los Sures, revisiting his powerful film to pursue four primary goals. RESTORE: Bring the original film back to life and make it accessible online for the first time, working with the local community to update, annotate, and challenge the narrative through a participatory platform. REMIX: Expand the experience of the original through deeply interactive audio/visual experiments. REUNITE: Activate the community to engage vital civic issues for a more sustainable future. REINVESTIGATE: Create new short documentaries to illustrate the issues the community faces today.
To date, over thirty such reinvestigations have been created by members of the UnionDocs Collaborative Studio. Each year since 2010, UnionDocs has hosted twelve Collaborative artist-fellows who work together to produce short documentary projects about the Southside today. These projects cover a wide range of topics and forms — from short videos to soundworks, audio walks, installations and interactive media. The works in this show represent the variety of form and subject matter, as well as the common concerns, that characterize the Living Los Sures project.
For more information please contact: Toby Lee or Stephan Apicella-Hitchcock
From the Archives
From the Archives: Photographs by William Fox from the Fordham University Archives and Special Collections
Curator: Stephan Apicella-Hitchcock
Exhibition dates: June 6 – July 18, 2014
The Ildiko Butler Gallery
Fordham University at Lincoln Center MAP
113 West 60th Street at Columbus Avenue
New York, NY 10023
From the Archives: Photographs by William Fox from the Fordham University Archives and Special Collections brings together seventeen contemporary digital prints made from the original negatives housed in the Archives at the Rose Hill campus’ Walsh Family Library. William Fox was a professional photographer who worked for Fordham University on a freelance basis for upwards of twenty years generating photographs that span a range of topics from commencements, to classrooms, and from campus architecture, to student life. The varied images presented in this exhibition were all created between the years of 1940 and 1941.
Fox’s negatives were all made to the exacting standards of the time with a large format, tripod mounted camera and provided an impressive level of fidelity – a task requiring considerable craft. The fact that the negative emulsion has separated, cracked, and deteriorated is not due to their care, as archival standards in archives only developed in the 1980s, but due to the instability of the materials themselves. That we have them at all is a small miracle and testament to the good care provided by those that have worked at the Fordham University Archives and Special Collections over the years.
The images in From the Archives are a small sample selected from thousands of negatives made by William Fox and represent the beginnings of Fordham University’s self-awareness, from a publicity and photographic point of view. His photographs documented the growth of Fordham University over an extended period and gave shape to aspects that the university valued up to and through the tumultuous times of World War two.
It should be emphasized that not all of William Fox’s negatives evidence deterioration. The curatorial choices here intentionally highlight the flaws of the analog process for their mystery and visual beauty, in contrast to our digital age of precision and perfection. Special thanks to Patrice Kane, Head of Archives and Special Collections at Fordham University for her expertise and continued assistance.
Stephan Apicella-Hitchcock, 2014
For more information please contact: apicellahit@fordham.edu
Case Study Tokyo 2014 Book
By Fordham University Gabelli School of Business students Domingo Amaro Chacon, Suzette Dorrielan, Marie Georgantzas, Irene Hartnett, Sam Houston, Samuel Hysell, Jennifer Jenkins, Alice Smyth, Melissa Tan, and Alberto Torrado Aguilar Cauz. Edited and designed by Stephan Apicella-Hitchcock. Print Book, 146 Pages, 7 × 7 in. (18 × 18 cm).
Take one part working methodology from the famous 1972 book, Learning from Las Vegas: The Forgotten Symbolism of Architectural Form, combine with the megacity of Tokyo, add ten Fordham University Gabelli students, stir for nine days in Japan and what do you get? You get direct acquisition of knowledge through experience with a small team, realized in an online, as well as hardback research volume focusing on branding, sensory marketing, architecture, design, photography, and urban planning.
Click HERE for online case study.
Click HERE for book.
Documentary Photography: Japan 2013-2014 Book
By Quinrui Hua, Leah Kirsch, Isabelle Langley, Giovani Santoro, Maggie Wilson, and Xuan Zheng. Edited by Stephan Apicella-Hitchcock. Print Book, 80 Pages, landscape, 10 × 8 in. (25 × 20 cm).
Click HERE for book preview.
This book is the final culmination of the course Documentary Photography: Japan offered by Stephan Apicella-Hitchcock through the Department of Theatre and Visual Arts at Fordham University.
The course description is as follows: This intensive class is designed as a platform for intermediate and advanced level students to further develop their photographic production with an emphasis on generating documentary projects focusing on the people, culture, and architecture of Japan. The megacity of Tokyo will serve as the starting point for our investigations, with image making itineraries that will take us from the cosmopolitan ward of Shinjuku, to the center of youth culture in Shibuya; and from the cutting edge fashion districts of Harajuku, to the temples and shrines of Asakusa.
Concurrent with our photographic explorations we will examine contemporary exhibitions in venues such as the Tokyo Metropolitan Museum of Photography in Ebisu, as well as view the ancient collections housed in Japan’s oldest and largest museum, the Tokyo National Museum in Ueno. Traveling by Shinkansen bullet train at 300 km/h (186 mph), we will make our way south to Kyoto, the nexus of traditional Japanese culture and history with approximately two thousand temples, shrines, and gardens that we can utilize as both the catalyst and stage for our photography. The extraordinary wealth of visual stimuli we will experience in Japan over ten days will certainly inspire, as well as function as the backdrop against which to critically discuss the strategies that photographers employ in communicating their interests.