Category: Photography

New Online Portfolio ?>

New Online Portfolio


Saul Metnick: Construction Sites

The Department of Visual Arts at Fordham University is pleased to present the third fall installment of our Online Portfolio Series with Saul Metnick’s Construction Sites.

“These photographs were made between 2009 and 2017 in New York City, on a number of different construction sites. It’s a largely visual investigation of the temporary phases the buildings we make go through on the way to becoming a finished thing. Their settled forms were fine in the end, but I always missed how they shifted from month to month.”

—Saul Metnick, 2021


Artist Bio: Saul Metnick is a Brooklyn-based photographer who once quit his day job as a producer to be a photographer. Then he quit his day job as a photographer to be a producer. He still takes pictures, teaches photography, and is raising two young children with the help of a Fuji Instax Wide.


Saul Metnick Website
IG: @blandscape


For further information, please contact Stephan Apicella-Hitchcock.
For the Visual Arts Department Website: click here.

“Regrets Only” opens at the Lipani Gallery ?>

“Regrets Only” opens at the Lipani Gallery


Regrets Only

Artists: Andy Brown, Michael Endy, Lisa DiClerico, Zelda Zinn, Juliet Martin, James Gardella, Marc Pelletier
Curator: Wilson Duggan


October 3—November 3, 2021


The Fordham University Galleries
Fordham University at Lincoln Center map
113 West 60th Street at Columbus Avenue
New York, NY 10023
fordhamuniversitygalleries


The Department of Visual Arts at Fordham University is pleased to present a new exhibition, Regrets Only, by curator Wilson Duggan in the Lipani Gallery. Regrets Only is an instruction sometimes found on event invitations, an alternative to the more common and more formal request to RSVP or communicate to the host whether or not one plans to accept the invitation. The direction to send “regrets only” is broadly considered presumptuous, not only in that it presumes the recipient of the invitation will attend, but also that no matter the reason why they will regret not being able to.

In late 2021, with over a year of global isolation in rearview and few events attended or invitations to accept, what regrets do we hold about past opportunities declined and the pressures to attend and participate in life tomorrow? When invited to participate in an exhibition, how does an introverted and isolated artist and their practice reemerge from professional quarantine? The artworks in the exhibition explore themes of regret, isolation, ennui, and mundanity, exhibited together in an attempt to escape these confinements in dialogue with each other.

About the curator:
Wilson Duggan is an arts administrator and curator. He received his BA in Art History from Fordham College Rose Hill in 2012 and is the Co-Founder and Director of Operations at SHIM Art Network, an organization committed to providing artists, curators, collectives, galleries, universities, and other organizations and affiliations with resources and opportunities for professional development, exhibitions, and sales.


Image credit: Juliet Martin, I Hope That When I Wake, 2021


For further information on the exhibition, please contact Wilson Duggan.
For the Visual Arts Department Website: click here.

Adjunct Faculty Spotlight Part One ?>

Adjunct Faculty Spotlight Part One

The Fordham University Galleries
Fordham University at Lincoln Center map
113 West 60th Street at Columbus Avenue
New York, NY 10023
fordhamuniversitygalleries


The Department of Visual Arts at Fordham University is pleased to present the 2021 Adjunct Faculty Spotlight exhibition in the Ildiko Butler Gallery. We are fortunate to have so many exceptionally talented Adjunct Professors teaching in our department, in fact, so many that we have had to divide this exhibition into two parts.

The first installment, Adjunct Faculty Spotlight Part One, will include a sampling of work from the following artists: Zeljka BlaksicDoug ClouseAmie CunatPatrice HelmarMatthew López-JensenAnibal J. Pella-WooKimberly Reinhardt, and Lesley Wamsley. This group of artists represents the breadth of disciplines offered in the Visual Arts Department, including film, graphic design, painting, and photography. Despite the differences in their mediums, approaches, and subjects, their works generate a lively dialogue.

New Generation, by Zeljka Blaksic, is a short animated video that relies on photographs found in START magazine, one of the most popular newspapers in the seventies and eighties throughout the territory of former Yugoslavia. Her piece utilizes the archive as source material and provides a critical analysis of sexual discourse in the cultural and political context of socialism.

Doug Clouse prints and paints over commercially printed ephemera, coaxing out new possibilities by altering existing images and text. He is a graphic designer in New York City.

Influenced by depictions of nature from Shaker gift drawings, Art Deco, science fiction, and horror movies, Amie Cunat’swork is loud and flamboyant at first read; however, upon closer inspection, her paintings offer subtle play between the horrific and goofy, the earthy and transcendent, the familiar and alien.

Patrice Helmar’s Down By Law is a series of photographs examining the American dream’s dark mythology and the timeless story of returning home. The history of photography is rife with work made by visitors that often have little connection to people and places they depict. In Down By Law, the artist is not attempting to document or sensationalize working-class and queer life; instead, she records what she would like to exist about her communities in contemporary culture.

Matthew López-Jensen is a Bronx-based environmental artist, photographer, educator, Citizen Pruner, and community gardener. His projects combine walking, collecting, mapping, and extensive research. He is particularly interested in the relationships between people and local landscapes. Featured in the Lincoln Center’s Ildiko Butler Gallery is a recent walking-based artist project exploring Green-Wood Cemetery in Brooklyn. The map, completely redesigned by the artist, centers an experience in the landscape around beech trees struggling to survive. The adjacent photographs are some of the trees featured on the map.

Selling Bananas In Ascending Order Of Ripeness is a project by Anibal J. Pella-Woo made up of 90 double-sided photographic prints. Each of the photographs was taken from the front seat of his car while parked at various locations. The texts accompanying the photographs are from overheard talk shows broadcasting on the car radio from when the photographs were made.

The structure for Crystal Gazing AmplifiersKimberly Reinhardt’s installation of ten naturally dyed, silkscreened bandannas is inspired by twill weaving patterns and Ellsworth Kelly’s Sculpture for a Large Wall. Relying on the exponential effects of repetition and variation, Reinhardt plays with the transmutation from vernacular utilitarian object to a contemplative device meant to harness and focus the tension that arises between the two.

Lesley Wamsley is a plein air artist living and working in Brooklyn, NY, with a deep commitment to drawing from life. The relationship between observation and documentation is the foundation of her practice, and her work aims to communicate the personal and historical consciousness of place and time. For Wamsley, context is an essential question—how does it feel to experience a place, and how does the broader context shape that experience?


Organized by Stephan Apicella-Hitchcock.
For the Visual Arts Department Website: click here.

New Online Portfolio: Michelle Sijia Ma: A Hundred Stories ?>

New Online Portfolio: Michelle Sijia Ma: A Hundred Stories


The Department of Visual Arts at Fordham University is pleased to present the first fall installment of our Online Portfolio Series with Michelle Sijia Ma’s A Hundred Stories. In 2016, China declared its transition from a nation of unlimited labor supply to a country that bloomed with an aging population. Mostly consists of women in rural areas, they operate small enterprises supported by local governments. However, life among these populations is not only centered around the private enterprises, but supported by young generations that promise the aging ones their houses, health, and prosperity. A Hundred Stories seeks to tell the story of these people that are at once radical and conservative; grand, yet banal. Through inserting staged self-portraits with documentary images of the aging populations, A Hundred Stories investigate China’s past and its strange, yet paradoxical impacts on the young generations.

The Fordham University Galleries are currently closed to the public in response to COVID-19. In the meantime, please visit our gallery website frequently, as our gallery will continue to feature a robust selection of offerings from the different areas of study in the Department of Visual Arts: Architecture, Film/Video, Graphic Design, Painting, and Photography. Stay tuned for more online presentations, discussions, and public dialogues coming this fall as our gallery website functions as a launching platform for a thoughtful engagement with the issues of our times.


Artist Bio: Sijia Ma (b. 2001 in Shenyang, China), is a visual artist based in Shanghai and MA. She is currently pursuing a B.A. in Studio Arts and Quantitative Economics at Smith College, MA. She also studied Graphic Design at Yale University and Photography at Amherst College in 2020. Sijia has worked to develop image-based projects and used the language of photography to explore the complexity of today’s Chinese identity in a subtler way.

Sijia has had solo and group exhibitions in the US and abroad, including the International Center of Photography in New York, Houston Center for Photography, Massachusett College of Art and Design, Kunstpunt Groningen in Netherland, New Era Research Institute of Photography in Beijing, Glasgow Gallery of Photography in Scotland, and Millepiani Gallery in Rome. Sijia’s images have been included in publications such as the American Photography Annual Award Book, China Souhu News, Vanderbilt University’s Nashville Review, Glass Mountain Magazine, F-Stop Magazine, and Lenscratch.

In 2020 Sijia co-founded China’s first junior art investment firm 1CM Inc. in Shanghai. She is currently working on the brand marketing team at Universal Studio Beijing.


Michelle Siji Ma Website
Instagram: @michelle_sijiama


For further information, please contact Stephan Apicella-Hitchcock.
For the Visual Arts Department Website: click here.

Adjunct Faculty Spotlight Series & Book: Anibal Pella-Woo: “Almost 2.0” ?>

Adjunct Faculty Spotlight Series & Book: Anibal Pella-Woo: “Almost 2.0”


The Department of Visual Arts at Fordham University is pleased to present the first summer installment of the Adjunct Faculty Spotlight SeriesAnibal Pella-Woo: Almost 2.0. As well as being the first offering of the season, this project is the inaugural publication for Hayden’s BooksHayden’s Books will be producing an ongoing series of publications focusing on artist projects, research, critical writings, and works in progress. This publication series honors Hayden Hartnett, a much-loved visual arts major. Please stay tuned over the weeks to come as members from the Department of Visual Arts adjunct faculty and artists at large share samplings of their production with the Fordham community in our Hayden Hartnett Project Space (online) and in this exciting new book series.

The Fordham University Galleries are open to the general public provided that visitors complete a temperature check and brief screening according to university health protocols (the gallery is accessible for those on campus registered with VitalCheck). Additionally, our gallery website will continue to feature a robust selection of offerings from the different areas of study offered in the Department of Visual Arts: Architecture, Film/Video, Graphic Design, Painting, and Photography. Stay tuned for online presentations, discussions, and public dialogues coming this summer as our gallery website functions as a launching platform for a thoughtful engagement with the issues of our times.


Artist Statement:

2.0: “used post-positively to describe a new and improved version or example of something or someone.”

In 1999, I bought my first digital camera. It produced a 1.92-megapixel image file.

Almost 2.0

Book Link

New book: 2021 Senior Thesis Exhibitions ?>

New book: 2021 Senior Thesis Exhibitions

Hot off the press—the 2021 Senior Thesis Exhibitions book by Amanda Asciutto, Catherine Cain, Ashlinn Casey, Laura Foley, Alejandra Garcia, Mack Hurstell, Bawila Idris, Jesse McBrearty, Elizabeth McLaughlin, Vittoria Orlando, Sofia Riley, Justin Schwartz, and Julia Taylor is now available. Edited by Stephan Apicella-Hitchcock with a fantastic cover design by Natalie Norman-Kehe. 142 pages of amazing work by our graduating artists!

2021 Senior Thesis Exhibitions: Small Square, 7×7 in, 18×18 cm, 142 pages is available to preview and purchase here.

New Books—Digital Photography Volumes 2 & 3 Out Now ?>

New Books—Digital Photography Volumes 2 & 3 Out Now

The speed at which one can learn the principles of traditional analog photography during a typical school semester is relatively quick. Things are humming along smoothly by week number seven, with students having a working understanding of camera operations, film processing, and the development of contact sheets and prints. Around week seven, we begin to switch gears from focusing on the technical to concentrating on meaning and communication strategies. The remaining eight weeks are devoted to exploring what one wants to say about the world, how to go about it, and how to read and discuss photographs.

The speed at which one can learn the principles of digital photography is absurdly accelerated compared to traditional photography. Within the first five classes, we are already up and running and understand camera usage and how to employ the computer for image management, adjustment, and output.

Three months ago, these students were pushed into the deep end of the photographic pool of digital photography and asked to swim almost immediately. They rose to the challenge admirably. Their selections for this book represent their speedy technical proficiency; moreover, their images show their intelligence, distinct personalities, and concentrated engagement with the world.

Enough said, enjoy! —Stephan Apicella-Hitchcock

Digital Photography Volume 2

Digital Photography Volume 3