Visual Arts

The Department of Visual Arts at Fordham University is pleased to present the first fall installment of our Online Portfolio Series with Michelle Sijia Ma’s A Hundred Stories. In 2016, China declared its transition from a nation of unlimited labor supply to a country that bloomed with an aging population. Mostly consists of women in rural areas, they operate small enterprises supported by local governments. However, life among these populations is not only centered around the private enterprises, but supported by young generations that promise the aging ones their houses, health, and prosperity. A Hundred Stories seeks to tell the story of these people that are at once radical and conservative; grand, yet banal. Through inserting staged self-portraits with documentary images of the aging populations, A Hundred Stories investigate China’s past and its strange, yet paradoxical impacts on the young generations.

The Fordham University Galleries are currently closed to the public in response to COVID-19. In the meantime, please visit our gallery website frequently, as our gallery will continue to feature a robust selection of offerings from the different areas of study in the Department of Visual Arts: Architecture, Film/Video, Graphic Design, Painting, and Photography. Stay tuned for more online presentations, discussions, and public dialogues coming this fall as our gallery website functions as a launching platform for a thoughtful engagement with the issues of our times.

Artist Bio: Sijia Ma (b. 2001 in Shenyang, China), is a visual artist based in Shanghai and MA. She is currently pursuing a B.A. in Studio Arts and Quantitative Economics at Smith College, MA. She also studied Graphic Design at Yale University and Photography at Amherst College in 2020. Sijia has worked to develop image-based projects and used the language of photography to explore the complexity of today’s Chinese identity in a subtler way.

Sijia has had solo and group exhibitions in the US and abroad, including the International Center of Photography in New York, Houston Center for Photography, Massachusett College of Art and Design, Kunstpunt Groningen in Netherland, New Era Research Institute of Photography in Beijing, Glasgow Gallery of Photography in Scotland, and Millepiani Gallery in Rome. Sijia’s images have been included in publications such as the American Photography Annual Award Book, China Souhu News, Vanderbilt University’s Nashville Review, Glass Mountain Magazine, F-Stop Magazine, and Lenscratch.

In 2020 Sijia co-founded China’s first junior art investment firm 1CM Inc. in Shanghai. She is currently working on the brand marketing team at Universal Studio Beijing.

Michelle Siji Ma Website
Instagram: @michelle_sijiama

For further information, please contact Stephan Apicella-Hitchcock.
For the Visual Arts Department Website: click here.

Adjunct Faculty Spotlight Series: Dickson Despommier: Photographs

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The Department of Visual Arts at Fordham University is pleased to present the first spring installment of the Adjunct Faculty Spotlight Series: Dickson Despommier: Photographs. Over the weeks to come, members from the Department of Visual Arts adjunct faculty will be sharing samplings of their production with the Fordham community.

Currently, the Fordham University Galleries are closed to the general public in response to COVID-19 (open for those on campus registered with VitalCheck). However, our gallery website will continue to feature a robust selection of offerings from the different areas of study offered in the Department of Visual Arts: Architecture, Film/Video, Graphic Design, Painting, and Photography. Stay tuned for online presentations, discussions, and public dialogues coming this spring as our gallery website functions as a launching platform for a thoughtful engagement with the issues of our times.

Dickson Despommier: Statement
The salmon and trout flies that are shown in this collection are superb examples of the craftsmanship of fly tying produced by two of the most highly praised and internationally recognized masters of the art form, Warren Duncan of St. John, New Brunswick, Canada, and Walt Dette of Roscoe, New York.

The images were produced by imaging each fly with a high-resolution scanner (Epson Perfection V750 PRO), then spending many hours on the computer “cleaning them up” and applying the names of each in script using Adobe Photoshop.

My passion for nature began when I was a kid, like so many others who also have developed a deep attachment to the natural world. At around the age of seven or eight, I began exploring my surroundings. I would wander through the tall grass fields near my house in northern California, collecting things that nature provided just for me (or so I thought) – bird’s nests, sometimes with the eggs still inside them, spiders of all sizes, tadpoles, and frogs, caterpillars, cocoons and butterflies, and a million other creepy crawlies, many of which were strictly prohibited from coming inside the house. Reluctantly, back into the fields they went. When I was 11, my family moved to New Jersey. My father and his two brothers were ardent fishers, casting their lines into the salty and brackish waters around their hometown of New Orleans (where I was born). In New Jersey, my dad joined the Oradell reservoir fishing fraternity.

Nearly every Sunday morning in the summer, he enjoyed the solitude of sitting along that lakeshore, firmly ensconced on his folding chair next to several solid fiberglass bait-casting rods propped up by forked sticks that were embedded in the muddy bank. He was a worm dunker most of his life but made the switch to lures when we bought a summer cottage in upper New York State. Meanwhile, back at the reservoir, he often did not catch anything, but occasionally would come home with a mixed stringer of perch, crappie, sunnies, and the occasional largemouth bass. Good eats! I was always impressed with his stick-to-itiveness and dedication to the sport, despite his low frequency of successes. When I became his fishing partner, I learned that it was not only about the catching that mattered. We shared many quiet days and some all-nighters on nearby lakes, again with mixed results. Nonetheless, when it was time to go home, we always expressed to each other how good it was to be off by ourselves surrounded by the beauty of the natural world. Few words were ever spoken, but I could feel that we both deeply appreciated the time we spent together.

In the meantime, my trusty bicycle allowed me the freedom to wander in ever-increasingly wider circles away from my apartment complex in Dumont. Eventually, I had my first encounter with a genuine trout stream, the Tenekill Brook in Demarest, New Jersey (see: Waist Deep In Water). It was love at first sight. As I matured, it was inevitable that I would take up some form of recreation that involved being outside for long periods of time. Trout fishing was my first and only choice, and it still is. I went off to college and gravitated towards the natural sciences, becoming a research parasitologist after graduating from the University of Notre Dame with a Ph.D. degree in microbiology. When I finished my post-doctoral years at The Rockefeller University in the late 1960s, I was fortunate to be asked to join the faculty at Columbia University’s medical school. I have been there ever since. The years flew by (where the hell did they go?), and I am now emeritus professor of microbiology and public health.

My interest in stream ecology arose early on during my undergraduate days. I joined Trout Unlimited after returning to the East Coast and became friends with a small group of dedicated fly fishers. Four of us formed an education group and developed a 13-week survey course on stream ecology for adult learners. We called the course “We All Live Downstream”. We offered it in multiple places over a six-year period during the 1970s. I never lost interest in the subject and began to take pictures each time I went out on the stream. Many of them are part of this website. I also began collecting published scientific studies on subjects related to various aspects of trout stream ecology. I have distilled this literature into the summaries for each section, serving as the foundation for The Living River: Stream Ecology for Trout Anglers. An earlier version was posted on the Catskill Fly Fishing Center and Museum. It is my hope that the information contained within the body of The Living River website will inspire others to become involved in the stewardship of their home waters.

For further information on the exhibition please contact Stephan Apicella-Hitchcock.

The Fordham University Galleries are currently closed in response to COVID-19. In the meantime, please visit our gallery website frequently, as our exhibitions are still underway.

Dickson Despommier Photographs
The Living River: Stream Ecology for Trout Anglers
Waist Deep In Water: Memoirs of a Passionate Angler (PDF download)
For the Visual Arts Department Blog: click here
For the Visual Arts Department Website: click here

Gary Monroe Photographs: South Beach 1977–1986

Curators: Stephan Apicella-Hitchcock & Joseph Lawton

Fordham University’s Ildiko Butler Gallery is pleased to present the photographs of Gary Monroe. Exhibited here are twenty-one gelatin silver prints made between 1977 and 1986 in South Beach, Florida, of the elderly Jewish community.

In Gary’s words: South Beach was remarkable when I photographed there, which was almost daily. Actually, it was for a longer period, but that decade constitutes my being committed to making visual sense of life there. It was where Jewish people came to be together in their later years. In its way, it was a sacred place. These were the Jewish of the ‘Greatest Generation,’ Holocaust survivors among them; refugees from the cold northeast; working-class retirees. The average age was well into retirement. Ten years later, the Art Deco movement and other forces, including Miami Vice, and economic development, caused the demise of the old-world traditions long before attrition would have taken its toll. The lifestyle vanished as if it had never happened.

Gary Monroe, a native of Miami Beach, received a master’s degree in fine arts from the University of Colorado at Boulder in 1977. Since 1984 he has photographed throughout Haiti, Brazil, Israel, Cuba, India, Trinidad, Poland, France, Russia, Egypt, and in his home state of Florida. He has received grants from the National Endowment for the Arts, Florida Department of State’s Division of Cultural Affairs, Florida Humanities Council, and the Fulbright Foundation. Gary’s publications include The Last Resort, Florida Dreams, Life in South Beach, Miami Beach, and Haiti. He is also the author of numerous books, including The Highwaymen: Florida’s African-American Landscape Painters, Harold Newton: The Original Highwayman, and Silver Springs: The Underwater Photographs of Bruce Mozert. Recently he has been photographing the impact of corporate-driven planning on the Florida landscape.

Image credit: Gary Monroe, Sixth Street by Washington Avenue, 1978

Gary Monroe Website